Change in Medieval and Renaissance Paintings
Medieval and Renaissance paintings of the 15th and 16th centuries are a great example of how art gradually changes over time. Although the paintings and artists will reiterate certain aspects in later art, they also change many aspects of the same styling. One can notice differences in the hues of color, tone, layout or arrangement of the design & subject matter, perspective, and even the concept and symbolism in the paintings will also change over time.
During the medieval times, paintings were not drawn as realistic as they began to be painted in the renaissance times. As such, they were out of proportion and they did not show the distance view in perspective. Also the medieval style of painting was a much more simplistic style of painting since it didn't show much depth or shadowing with in the objects of the paintings to create any perspective for each object either. The paintings during the older times also focused not only on the religious meaning behind the paintings but would demonstrate the religious aspect by drawing halos of gold rings or bowls on the subject matter instead of just allowing them to look holy in their normal features like that of the renaissance paintings of a later date.
However, they did have similar characteristics even though the actual styles of the paintings were starting to grow further and further apart with time. Both the renaissance and the medieval paintings were normally drawn for a religious reason. The artists would portray the subject matters in various biblical scenes and/or religious connotations since during that time the answer to all things was the Bible. But with the dawning of the humanistic culture and the renaissance times, the secular versus religious strife begun to weigh and thus some of the paintings began to not always denote just biblical and/or religious scenes. Some paintings began to show the war with good and evil for example.
A few medieval style paintings would include, but are not limited to, "Madonna & Child" by Antonio del Ceraido, ca. 1520; "Madonna & Child with Angels & Saints Anthony" by Matheo de Giovanni, from the early 1470's; "Madonna & Child" by Lorenzo di Cruti, ca. 1520; and "Madonna & Child w/Breviary" by Francesco Botticini done sometime after 1475; and the Reablo of St. Peter by Lorenzo de Zorajoza from around the 1400's. All of these paintings were done in regards to religious scenes and the last one was done for a church. The Madonna & Child paintings all have a similar color range of bright bold blues, reds and golds, which are the traditional colors for a religious figure especially that of Madonna. They also have gold halo rings around their heads to denote the holiness of the figures. Although the individual paintings range a bit in the shading with in the figures, they are still very flat and unrealistic, almost cartoon like. Some realism is starting to come through with the folds and wrinkles in the...