Beautiful Piety Essay

1980 words - 8 pages

Gerard Manley Hopkins was a meticulous man who became a Jesuit priest and worked hard at spreading his faith in Roman Catholicism. Hopkins was acknowledged for his religious themes as well as his unique poetic techniques. Hopkins's poems consisted of what he called `sprung rhythm' as well as assonance, alliteration, and internal rhyme. Hopkins often resembled Romantic poets with his affection for nature and aim for individuality. With his strongly distinct language and eccentric forms, Hopkins's work was often regarded as a twentieth-century poet's writing rather than a Victorian poet's. In his other works such as "Hurrahing in Harvest" or "The Wreck of the Deutschland", Hopkins's emphasis on idiosyncratic literature was illustrated in his depictions of nature in which wild images replaced regular patterns of beauty. In "Pied Beauty", Hopkins's "medievalism influenced his typological as well as his typical mode of artistic representation..." (Bump 83). In this poem, Hopkins describes nature's details with strange correlations and glorifies God for these creations. With the inspiring age of 19th century Impressionist imagination in art, Hopkins had painted his own work of art in a fresh and unpopular manner in "Pied Beauty" (Lowenstein 158). His new presentation of beauty and atypical descriptions of objects in this poem demonstrates his ability to create hypothetical prose. Hopkins's usage of bizarre analogies between objects and abstruse images of nature's concurring differences accentuates the worship of God's existence and makings (Hartman 103). His unusual representation of nature astonishes the audience of the 19th century as well as the normal structure of literature. The 19th century poem, "Pied Beauty" by Gerard Manley Hopkins expresses views abstracted from life rather than Victorian ideas of prettiness while creating a passionate tone and utilizing poetic devices to emphasize the praise for God's creations of imperfections.

Hopkins's display of comparisons reveals the conceptual views of nature and importance of God's authority. The poem's association with the colors of the sky and a cow illustrates the strange sight of nature's differences created by God. God is extolled "for skies of couple-color as a brinded cow; for rose-moles all in stipple upon trout that swim..." (Hopkins 2-3). With these descriptions of nature, "no two couple-colored skies, trout, or finches' wings are alike. They are counter to one another, original, `spare', in the sense that a spare part stands by itself, and strange..." (Hartman 100). The outrageous color difference in both objects expose the greatness of intangibility in nature and creates imperfections. This characteristic of imperfections implies that the creator must also consist more of that same magnitude. Furthermore, the connection between the design of a fish and a fire indicates the abnormal observation of God's dissimilar creations. "Fresh-firecoal chestnut-falls" and the scales on a fish...

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